After Henry Brabazon Urmston, Lohally Gully from Dalhousie, 1861, Watercolour for sale at Pamono

Description

An original 1861 watercolour painting, Attrib. Henry Brabazon Urmston, Lohally Gully & Dain Khound from Dalhousie.A fascinating large watercolour attributed to Henry Brabazon Urmston (fl.1860). The subject indicated on the verso of the painting is ‘Lohally Gully & Dain Khound from Dalhousie, August 12 1861’. The breathtaking landscape is densely wooded and shows the sublime ‘Alpine’ slopes at the entrance to Dalhousie hill station, which was founded during the colonial time around the 1850s by the Britishers. Dalhousie is in Chamba district, which was named ‘Alpine Beauty’ by the British officers.Henry Brabazon Urmston served in the Bengal Army 184774. He held various positions, including Assistant Commissioner in the Punjab with special duty in Kashmir during 1857, and Deputy Commissioner in Peshawar, Bannu, Sialkot, Amritsar and Rawalpindi. In 1850 he married Harriett Elizabeth Hughes (18281897), who had arrived in India earlier that year as a Christian missionarya calling to which she was to devote her life in both India and later in the UK. Her mission was not to the people of India, but initially to the wives of the soldiers. Her meetings attracted the husbands too and she was known as ‘Holy Mary’. After their return to the UK in 1875 due to ill health, she spent yearsunusually for a womanpreaching in support of the Zenana Bible and Medical Missionary Society.This watercolour is one of a group of three that we have for sale, which stylistically are very similar to Henry Brabazon Urmston’s work. A collection of his watercolours sold at Christie’s in 1997, detailing Urmston’s movements through India, and they included two views at Dalhousie, including one titled ‘The Entrance to Dalhousie – called Lohally Gully’.Two figure drawings by Urmston are held in the India Office Library, London.In watercolour with white bodycolour highlights and scratching out.All artworks come with a Certificate of Authenticity andif it is a collection artworkits accompanying collection text or artist biography. Signed: No. Inscribed: Inscribed verso. Dated: Dated verso. Height: 29.7cm (11.7) Width: 43cm (16.9) Condition: Some slight creasing to the paper, including a soft oblique crease towards the right edge. There is a 2cm repaired tear to the left edge of the paper and a 3.5cm repaired tear at the lower edge. There are historic adhesive marks to the corners on the verso, from previous mounting, which has caused slight surface damage on the verso, which is not visible on the front. Please see photos for detail. Presented: Unframed.